DigiDesign Focusrite d3 Specifikace Strana 128
- Strana / 141
- Tabulka s obsahem
- KNIHY
Hodnocené. / 5. Na základě hodnocení zákazníků
Digidesign Plug-Ins Guide122
To choose the channels you want to compare on
the Phase meter:
1 With SurroundScope inserted on a track, click
in the Surround display on the letter corre-
sponding to the desired speaker channel.
2 Click the letter corresponding to the second
desired speaker channel.
Once selected, the speaker labels are highlighted
for easy visual reference.
3 Begin audio playback.
4 Watch the Phase Meter to monitor the signal.
Input Level Meters
The Input Level meters provide decibel level
readings for each channel of a multichannel sig-
nal, including readings for an LFE channel if
present. Surround Scope’s high resolution Level
meter is an RMS-style level meter, not a peak
meter like those located on Pro Tools disk
tracks. Meter range is from 0 to –60dB. They
have a a long range with full resolution through
–30dB, and then a tapered scale through –60dB.
Selecting a channel for the Phase Meter
click here
Input Level Meters
The Input Level meters always appear in
standard Film layout (L, C, R, Ls, Rs, LFE)
for 5.1 format mixes.
- Digidesign 1
- Copyright 2
- Chapter 4. D-Fi 4
- Chapter 5. D-Verb 4
- Chapter 6. Focusrite D2 4
- Chapter 7. Focusrite D3 4
- Chapter 8. DINR 4
- Digidesign Plug-Ins Guide 6
- Getting Started With Plug-Ins 7
- Plug-In Formats 8
- Installing Plug-Ins 8
- Digidesign Registration 9
- Authorizing Plug-Ins 10
- Removing Expired Plug-Ins 10
- Allocating Additional Memory 11
- Conventions Used in This 12
- Processing Power 13
- Requirements of TDM and 13
- RTAS Plug-Ins 13
- Improving RTAS Plug-In 14
- Performance 14
- Delay in Digital Signal 15
- Processing 15
- Plug-Ins as Inserts 16
- Inserting Plug-Ins on Tracks 17
- The Plug-In Window 18
- Channel Selector 19
- Link Enable buttons 19
- Master Link button 19
- Digidesign Plug-Ins Guide14 20
- Editing Plug-In Parameters 21
- Using a Key Input for Side 22
- Chain Processing 22
- Automating Plug-Ins 23
- Using the Librarian 24
- The Settings Menu 25
- Choosing a Destination for 25
- Settings 25
- Managing Settings 26
- Mono Plug-ins 26
- Digidesign Plug-Ins Guide22 28
- The AudioSuite Window 29
- Plug-In Selector 30
- Selection Reference 30
- Use In Playlist Button 30
- File Mode Selector 31
- Process Mode Selector 31
- Digidesign Plug-Ins Guide26 32
- Multichannel Processing 33
- Undoing AudioSuite Processing 33
- Processed Audio 33
- Other AudioSuite Parameters 33
- The AudioSuite Processing 34
- Preferences Dialog 34
- Using AudioSuite Plug-Ins 35
- Using AudioSuite Plug-Ins in 36
- Recti-Fi 37
- Purposely Degrading Audio 38
- Chapter 4: D-Fi 33 39
- Input Trim 40
- Effect Type 40
- Effect Amount 40
- Effect Frequency 40
- Modulation Type 41
- Mod Amount and Mod Rate 41
- Chapter 4: D-Fi 37 43
- Alternating rectification 43
- Alt-Max rectification 43
- D-Fi Demo Session 44
- Lo-Fi Examples 45
- Recti-Fi Examples 46
- Chapter 4: D-Fi 41 47
- Digidesign Plug-Ins Guide42 48
- About Reverb 49
- D-Verb Parameters 50
- Input Level 51
- Algorithm 51
- Diffusion 51
- Customizing a Reverb 52
- Selecting Tracks for D-Verb 53
- AudioSuite Processing 53
- Digidesign Plug-Ins Guide48 54
- Focusrite D2 55
- D2 Parameters 56
- EQ Filter Controls 57
- Low-Mid Peak Filter 58
- High-Mid Peak Filter 58
- High-Shelf Filter 58
- Low-Pass Filter 58
- Computer Keyboard 59
- Using D2 in Stereo 60
- Focusrite D3 61
- The D3 Compressor 62
- The D3 Limiter 62
- D3 Parameters 63
- D3 Compressor Controls 64
- Threshold 65
- Auto Release 65
- D3 Limiter Controls 66
- Broadband Noise Reduction 67
- Creating a Noise Signature 68
- The Contour Line 68
- Reduction 68
- Parameters 69
- High-Shelf EQ 70
- Chapter 8: DINR 65 71
- Control-Option-Right Arrow 72
- Using Broadband Noise 73
- Digidesign Plug-Ins Guide68 74
- Editing the Contour Line 75
- Using BNR AudioSuite 76
- Chapter 8: DINR 71 77
- BNR AudioSuite 77
- Hum Removal 78
- Chapter 8: DINR 73 79
- Center Frequency 79
- Using Hum Removal 80
- RTAS version instead 81
- About Peak Limiting 82
- Maxim Parameters 83
- Attenuation 84
- Link Button 85
- Noise Shaping 85
- Bit Resolution 85
- Using Maxim 86
- Bruno and Reso 87
- DSP Requirements 88
- Inserting Bruno/Reso onto an 88
- Audio Track 88
- Playing Bruno/Reso 88
- Using MIDI 89
- Using MIDI Playback 89
- Bruno Parameters 90
- On-Screen Keyboard 91
- Timbre Parameters 91
- Timbrometer 92
- Amplitude Parameters 92
- ADSR Envelope Generator 93
- Voice Parameters 95
- Reso Parameters 96
- Resonance Velocity 97
- Damping Amount 97
- Damping Velocity 97
- Harmonics 97
- Gain Velocity 99
- Pitch Parameters 100
- LPF/Voice Parameters 101
- Online Help 102
- Reverb One 103
- A Reverb Overview 104
- Reverb One Controls 105
- Master Mix Controls 106
- Dynamics Controls 106
- Chorus Controls 107
- Reverb Controls 107
- Early Reflections Controls 108
- Simulating Early Reflections 109
- Reverb Graphs 110
- Other Controls 111
- Input Level Meters 112
- SoundReplacer 113
- SoundReplacer Parameters 114
- Trigger Threshold 115
- Load/Unload Sound 115
- The Zoomer 116
- Crossfade 116
- Peak Align 116
- Using SoundReplacer 117
- Getting Optimum Results With 118
- Mapping The Same Sample Into 119
- Multiple Amplitude Zones 119
- Using the Audio Files Folder 120
- Replacement Files 120
- SoundReplacer Demo Session 121
- Example 3 122
- Example 4 122
- Example 5 122
- Chapter 12: SoundReplacer 117 123
- Digidesign Plug-Ins Guide118 124
- SurroundScope 125
- SurroundScope Parameters 126
- Lissajous Meter 127
- Phase Meter 127
- Numerics 135
- Digidesign Plug-Ins Guide130 136
- Index 131 137
- Digidesign Plug-Ins Guide132 138
- Index 133 139
- Digidesign Plug-Ins Guide134 140
- Index 135 141
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